He was a bottom feeder, a man without talent. He plied the tourists on Hollywood boulevard for tips. When I crossed paths with him five years ago, his costume was visibly grungy, like he’d slept in it for days. He hassled me for money for taking his picture. I hadn’t been. He just happened to walk through the frame as I photographed a mural. He was missing teeth. He looked exactly like what he was, a meth-head impersonating his former self impersonating a comic book hero, badly.
Earlier in his two decades on the boulevard, Christopher Dennis looked the part. He had the length of bone, the jawline, an aquiline nose topped off with dyed black hair to evoke a reasonable facsimile of the DC comics version of the Man of Steel. Padding filled out the suit. By the end, he looked like Superman down to his last 50 T-cells.
During the descent, he managed to wrangle appearances on Late With Jimmy Kimmel and the Morgan Spurlock documentary Confessions of a Superhero.
He claimed to have lost his costume and his front teeth in a mugging. Crowdfunding appeals raised money for him to get his cape back and fund a web series about his life, neither of which materialized. He told different stories to different people to explain his circumstances. Sometimes he would be slumped in the street, in a fugue state, babbling to himself, drawing in his notebook. His decline was covered with uncritical sympathy by local media, heavy on the passive voice, always with appeals for assistance, as though his schtick was worthy of the character he was feeding off. His life became a meta-hustle of the public for the means to return to hustling the tourists for drug money.
Naturally, he ended up in Van Nuys, on Nury Martinez’s Skid Row North™.
Last week his body was discovered in a Goodwill collection bin. He had climbed inside seeking to pilfer donated clothes. This is his last known photograph, from the website People Helping People LA.
If you’re not sensing much sympathy for a dead man, I’ll tell you a story. I picked up a stand-up comic at the Orange Line station not long ago, on his way home from a gig in NoHo. I’ll call him Doug. He’d been working out new material, he said. After much trial and error, he found a way to make it click. He killed his set, and now he was treating himself to an Uber ride home. Not that Doug had been paid anything for his work on stage. Normally he would walk the two miles up Van Nuys Blvd. to his garage apartment off Saticoy. But tonight, on such a high, to navigate Nury’s Living Room for the walking dead, that would be asking too much of himself. It would call into question his entire life in LA.
Doug was avoiding Christopher Dennis, whose superpower was self-indulgence. I turned the app off and gave him a ride the rest of the way home for free. It was the least I could do.
Los Angeles runs on guys like Doug, who keep the cocktails flowing and the cash register ringing to pay the headliner. It takes balls of steel to get onstage and do original material. You can’t hide behind a cape. Even modestly successful road comics end their careers unmourned and little remembered.
That’s Sandy Baron second from left in a still from Broadway Danny Rose, Woody Allen’s sweetest work and a tribute to those on the fringes of show business. Sandy started in the Borscht Belt, and would have faded from pop culture right about here, in a cameo role at the Carnegie Deli, and probably died broke, were it not for this:
His turn as Jack Klompus was so successful Seinfeld brought the character back in five episodes, and Sandy got to spend his final years in notoriety, with some extra money in his pocket. He passed in 2001 in a nursing home in, where else, Van Nuys.
