In a City of Manic Revision

This is my friend in San Francisco, five minutes after she realized she was going to fire her contractor.  Not this guy.   Another guy overbilling her for materials.

$60,000 to repair water damage in the bay of their living room, on top of $110,000 to replace the siding on the house. Heart attack numbers if you live in Van Nuys, but there is an entirely different math up there.

It is math that tells you to peel your house off the foundation and jack it up twenty feet on metal I-beams and slide two new units in underneath like a chest of drawers. So what if this costs you a cool million? You just raised the value twice that figure.  San Francisco Equity is a hammer insensible to caution.

It is a math that demolishes the venerable Sullivan Funeral Home on Upper Market, God’s Hotel of the AIDS crisis, and excavate deep enough for three levels of parking to accommodate the jewel box pied a terre above, to be leased by tech companies for their employees, who will live sealed from the wind and clank of the city by soundproof green glass.

Math which appropriates the narrowest triangle of ground at Church and Market, for years the location of a greasy spoon and a seedy bar and turn it into a jenga tower of extruded battlements, and in an admirable burst of developer inspiration name it Sonder.

From the Dictionary of Obscure Sorrows:
SONDER: n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background.

Implicit in sonder is the labor of others without which the simple pleasures of the city can be summoned. Appeals for service work like this are ubiquitous in store windows.   Even if you found someone willing, how could they afford to live here?

The guys who are killing it in the construction boom, like this electrician I saw smoking a blunt in his van, can only contemplate the beauty of the city but never really drink from its well before driving back to the Central Valley or God knows where.

It’s all rather precarious if you consider the history of financial booms. But somehow being here in a city of facadomy and indestructible aesthetics, it doesn’t feel that way. Just because a building was born one-story, it doesn’t have to live so constrained forever. It can be reassigned another role. A spare-no-expense reach into the air can seem like the most reasonable thing in the world. Prudent, even. You can smell the money before you even cross the bridge.  A bouquet can render one exuberant.

Little Doelger Boxes

The Sunset district in San Francisco is a quiet beach town 15 minutes from the urban core…

…and five minutes from miles and miles of off-leash sand. I have friends who live here and it’s always fun to visit. When I stay over I take their dog for a run in the morning mist.

Many of the houses were built in vast tracts over sand dunes by Henry Doelger, much in the same vein as Henry Kaiser built Panorama City.   They have a standard template: 2-3 bedrooms/one bath over a single car garage.  As the Sunset gradually slopes toward the ocean, the elevated configuration offers every house a water view.

They may look small from the outside but are actually quite substantial:  my friends have built two additional bedrooms and baths in the undeveloped downstairs space adjacent to the garage, fully within the footprint for the foundation.  Doelger houses may not wield the aesthetic pull of the Victorian but have stood up well over the years: old-growth timber, oak doors, coved ceilings, terrazzo steps rising from the street…

Doelger went on to develop the Westlake district in Daly City, immortalized in the song “Little Boxes” by Malvina Reynolds, later by Pete Seeger, and covered by just about everybody.  Cultural condescension notwithstanding, the little boxes of ticky-tacky have become a $1.2 million proposition. Our California moment can be summarized thus: the mockery of the boomers is now the desideratum of Gen Xers, and the reason Millennials must move to Texas.

You may know the song from the TV show “Weeds”, which was about rather big boxes in the outer reaches of the San Fernando Valley  (Amazing how many pop reference points have a Valley tie-in).   Though it went off the air in 2012, the transgressive premise was a widow dealing marijuana in the suburbs to pay bills.   Sunday night, ganja in the cul de sac!   Now they sell it off of billboards next to the convenience store. You couldn’t make this show today.

I met a guy last month who works in a weed warehouse in North Hollywood producing 100 pounds a week, all the workers with W2s. One of three jobs he had. The other gigs were downtown, tending bar. His wife worked at the swank Nomad Hotel.  A hundred hours of labor a week between them.  They were from New York.

“If you get your hustle on, you can kill it in LA,” he told me. They had a dream. The dream was to afford a condo. If they had a condo, no one could stop them from having a dog.  They loved dogs.

A little box was beyond their expectations.