The Theater of Disappearance

Remember, we all must die.

Down at the Geffen Contemporary freezers run 24/7 preserving that which cannot be preserved… meat and driftwood and man’s creation, from birthday cakes to tennis shoes to bicycles, the vanity of earthly life arranged like bouquets…a memento mori for the anthropocene.    There is no heaven nor hell depicted by Adrian Villar Rojas, only the opulence of decay, and man’s fruitless quest for immortality. He is coy on the topic of the soul.  He places fish strategically, though perhaps ironically, throughout the exhibit, which is massive, 100 trucks of earthworks and salvaged pieces from prior exhibitions to form a stuffed timepiece, a man-made fossil. I suspect he doesn’t believe in divine judgment, though he trades on it.

What I really wonder is what Rojas would make of the Defenders of Boyle Heights. If they crossed the river to picket his installation, would he hand them bullhorns and cheer them on,  thereby defanging them?  Envaginating them, to employ a more proper metaphor, within his own work:

“Villar Rojas sees each project as an educational opportunity not only for those who visit the exhibition but equally so for himself. The institutions are given an opportunity, in turn, to reconsider the use of their own architectural assets, filtered or focused through the lens of Villar Rojas’s highly attuned sensitivities..this invasive dynamic allows Villar Rojas to develop an almost—in his own words—“parasitic relationship” with the institution; it is in this radical dialogue and exchange where both the artist-parasite and the institution-host explore the limits of what is possible and what is not, what is acceptable and what is not, what is negotiable and what is not. Ethics and politics, no less than agency and decision-making, are at stake in the project, opening a series of tough questions: When and where does a project actually begin?”

“Artist-parasite”…Adrian and the picketers are already speaking the same language, separated only by a million dollars in funding.

Remember, our disappearance will be theatrical.