I discovered this digital Polaroid during an encampment cleanup off Sepulveda, put it in my pocket and forgot all about it, then re-found it in the laundry.
For most of us, Van Nuys means an affordable ranch house. But for others, Van Nuys means my weekend at the bail bondsman or my frustrating encounter with the Building Department. Then there are women for whom Van Nuys means my summer sweating for Leon at the Travel Inn.
You might presume (as I did) someone was awfully eager to pose them on the bed like chattel. How we feel about the picture depends on who we think the photographer is. We assume a male. Polaroids are keepsakes. But what if one of the women took the picture and it was meant for each other, the pose taken ironically, an artifact of their sisterhood in the fleshy trenches?
How did the picture make the journey from the motel room to the Favela? Through whose hands did it pass? Maybe no ones. Maybe one of these women is living in a tent next to the 405 right now. It would be the simplest explanation, but doesn’t feel like the right movie to me.