Bloodlands and Memory

Readers were wondering who the people were in this mural in an alley off Van Nuys Blvd.

Well…I have met the muralist, Arutyun Gozukuchikyan. The woman to the right is Kim Kardashian. The man to the left is Monte Melkonian, born in Fresno, martyr of the first war of Nagorno-Karabakh in 1993.  The work was commissioned by the owner of the No Limit Auto Body shop.  Their clasping of hands is intended to illustrate the unity of the Armenian people across time and space.

Melkonian traveled far from the raisin fields.  First to Berkeley, then Beirut via Oxford and Tehran, where he spent the 1980’s in Armenian liberation politics.  He was imprisoned in France for the attempted assassination of a Turkish diplomat, a biographical detail the muralist omitted. As the Soviet Union disintegrated, he made his way to the Shahumyan province of Azerbaijan to join the battle to liberate Artsakh, a tribal feud that re-erupted this summer and is unlikely to resolve in our lifetimes.

There’s a whole lot of Los Angeles in that story.  Here’s two more:

The North Koreans put you in an execution line, the bullet passes through you, missing your heart. You wake up in the snow, stagger back to your village and find your mother praying in a church. You come to L.A, open a deli. By the time you’re finished, you have three. You bequeath them to your Americanized daughters who have no interest in the family business and spend your emeritus years doing missionary work.

You get in a fender-bender in El Salvador and the other driver executes you on the spot because he’s a member of MS-13 and you’re nobody…so why not?  Your siblings flee to Van Nuys and start cleaning floors, marry, have kids, then discover their brother’s killer is here, in town, less than ten miles away, also living a new life in America, schlepping to work with a name tag. The extended family huddles. What to do? Hire a hitman?  They vote to leave it behind them, in the old country.

I know both of these families. The receding tide of the bloody conflict of the world lurks in nail salon windows, washes up in corner markets and repair shops all over the Valley.

But what happens when America stops being America? Not a refuge of the dispossessed, but a bloodland unto itself, with its own irreconcilable claims on memory?

One week ago Parler was the #1 most downloaded app in the world.  It was intended to be a safe space for dissident thinking. Apple and Google (through its PlayStore) suspended all downloads and any developer access to the site on Saturday.  On Sunday, Jeff Bezos, the world’s richest man, terminated Parler’s access to Amazon’s Web Services.

By Monday morning, Parler was gone.  Three days.

Let’s go back to say, 1969. Suppose J. Paul Getty and Howard Hughes conspired to cut the NY Times off from all access to newsprint and ink in retaliation for its coverage of the Vietnam War.

Would you feel the fundamental premises of the nation had been called into question? What would you do about it? What sacrifice would you be willing to make to set that right?

Getty and Hughes were pipsqueaks compared to the monopolists we are dealing with now.

The cake is pretty well baked here.  A handful of billionaires control the information flow in the United States and they have revealed a shared agenda, leftist and monopolist at the same time. Effectively we now have a social credit system in place.  Instant China, if you will.

Americans are not Chinese.   They keep and bear arms.

Deplorable Joe

Ever notice the eerie physical resemblance between 1970’s era Joe Biden and Peter Boyle in the “off-the-hippies” exploitation film Joe?   I was thinking about this last night, watching Iowa .

If you haven’t seen it, Joe was a pop waystation between Easy Rider and Death Wish. Cartoonish and heavy-handed, it flattered the conceit of liberals thus: after a couple of drinks, blue-collar white guys are homicidal bigots.  You know they are.

Fifty years on, this most comforting cultural template has moved from being an art-house movie plot to the factory setting for much of the American media.

Now both of these guys are now running for President, in a manner of speaking.

Joe (the character) is not Trump, but he is a stand-in for Trump supporters, as viewed from the ramparts of power.

Since 1972 Biden has positioned himself, less credibly with the passage of time, as a representative of the white working class.   Amtrak Joe.  Joe from Scranton, Pa, but with a facelift and veneers and family members living large by way of his connection.   Only now, in his emeritus years, there is little room left in his party for Les Deplorables, the very people who once put him in office.

In a last attempt at the presidency,  he seeks the blessing of an electorate that has been counseled to scorn what he represents.  He will be running against his own history.  Which is to say, not well.

Which might explain why the morning after the Iowa caucuses, we have no “results”, even with hard precinct numbers in hand indicating a fourth-place finish.

Bernie, on the other hand, has Jack White.  Whatever your politics are, this will be entertaining.